The Cadillac Kings have got it all - A guitar player whose T-Bone Walker licks and cranky chordings sound as natural as his piercing slashing south Louisiana sound. A harp player who can make it bark and yelp and still get soulful in the solos. A rhythm section that adds a rich lushness to the whole thing. A piano player whose main aim in life is to shorten the gap between New Orleans and Los Angeles, and a vocalist who sounds like he's having a natural ball on each and every tune.

So he should, Mike Thomas had a hand in writing almost every song except Jack Dupree's "Shake Baby Shake" and Gary Potts' two stonkin' harp instrumentals. Thomas writes some good stuff - from the laid back growl and easy rolling beat of "Trick of The Blues" to the hard drivin' R&B of "Watch Yourself Brother" and the sly Louis Jordan-ish "Who's Bin Lickin' My Chicken?" And who could resist the wry observational humour of the unconvinced partner of someone on a keep fit kick on "Exercisin' Baby"?

I don't know where "Highway 17" is and I've no intention of going there. The lyrics describe it as a pretty mean, evil and scary place and Gary Pott's harmonica, laced with those snakey Rice Miller wahwah patterns, adds to the menacing atmosphere. "Throwing A Dragnet is the ideal vehicle for pianist Mike Adcock to let rip with some New Orleans rhumboogie patterns and for drummer Roy Webber to kick in with some dangerously accurate drumming while Gary Potts turns into Slim Harpo on the harp solo.

Yes, these boys know how to do it right - they know how to design a good sleeve and they're even pretty snazzy dressers too. The Cadillac Kings are deservedly one of the biggest bands on the British blues scene. You loved their previous release 'Lou-Ann' on Flathead Records (FRCDV8). You're gonna love this one too! - Red Lick Magazine

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The Cadillac Kings have had a few line up changes since their fantastic 2001 debut, ‘Lou Ann’, but their grip on big swinging early-Fifties R'n'B remains as tight. From the first couple of bars it becomes clear that this steaming gumbo of Blues harmonica, boogie woogie piano and thumping drums will be the perfect accompaniment for shaking the fat ass of your chrome bedecked Fifties showboat all over the highway. Not since the wild days of the Balham Alligators has a British Rock'n'Roll band sounded so righteous - and although the Balhams were Cajun-flavoured and the Kings lean towards the Blues, there are strong musical similarities between the bands. Partly it's the gruff vocal of MikeThomas who reminds me of Geraint Watkins. Partly it's the flashes of Mike Adcock's accordion. Mostly it's the way the guys pile into irresistible grooves with such total abandon. - Classic American Magazine

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Already heralded as one of the best blues releases of the year, this quality mixture of blues, boogie & swing is full of a thumping double bass, deep toned harp, rolling piano and a rockabilly sensibility.

These guys effortlessly shift from one genre to the next, whether it be the swinging boogie and humorous lyrics of "Exercisin' Baby", the swing blues of "Hilde's Hop", or the impressive harp driven shuffle "You never know", there is a rare quality at the centre of the whole band akin to the centre of a stick of rock.

Had this album been recorded by say the Fab T Birds, or say Junior Watson, everyone would be jumping. As it is, a lot of rockabilly dancers are jumping along to this band, but The Cadillac Kings deserve a wider audience, which this album will surely bring them.

From Gary Potts' earthy harp to Mike Adcock's rolling piano, The Cadillacs drip with blues intensity, and probably for the first time in my life I agree with The Times music critics. - Pete Feenstra