“Explosive, electric skiffle for the new decade...” Get Rhythm.

“Thoughtful self-penned numbers... take note of TWO TIMERS” John Clarke, The Times. “An impressive lesson in talent and stage presence...” E. Roze, Blues Magazine, France. “A revelation ...Literally anyone who appreciates pure talent should see these two.” Martin Axman, Corn Exchange, Ipswich/UK. “One of our most popular acts…You won't hear a sound like this anywhere else ...” Station Tavern, London. “Eclectic and exciting... The audience were absolutely bowled over” Mill Studio, Guildford. “Efficient, stripped bare writing…” Folk Roots. “Truly a phenomenon… As a live act, I cannot recommend them highly enough." Tim Aves, Blues in Britain.

Since multi-instrumentalists TWO TIMERS formed their unique two-piece band in Paris, France in 1993 they have surprised many thousands across Europe with the sheer power of their performance. Their formidable live reputation saw them undertake a 40-date theatre tour of France and earned them guest spots with artists as diverse as the Corrs, John Mayall, Taj Mahal, Maceo Parker, Joe Satriani and the Stranglers as well as billing on major European festivals. On returning to the U.K. in 2000 they guested on a 25-date tour of major venues across the U.K. as opening act for boogie legends Status Quo ... Their hometown has just voted them runners up in Brighton Underground’s Most Progressive Band category.

Soulful vocalist / drummer/ harmonica player Sarah James combines instruments with breathtaking ease, her powerful voice reminiscent of Sam Brown or Julie Driscoll. She has twice been nominated for Best UK Female Blues Singer of the Year by Blues in Britain. Workhorse guitarist G.R. Russell (ex Geno Washington, Dr Feelgood) seamlessly segs from electric to acoustic, bottleneck to mandolin whilst footstomping an electrified suitcase (played like a bass drum). Whilst drawing parallels with early blues outfits, the energy-driven delivery owes more to John Spencer’s Blues Explosion or Led Zeppelin.

Get Rhythm: “The music sways from pop/rock to blues and the duo are more than capable of giving an extra spark to all musical forms. In the States they fit into the alt. country bracket, the place for those who can't be pinned down... memorable tracks, big guitar sounds and catchy lines, and can Sarah sing!”

Their 4 CDs of original self-penned songs have earned them a feature on BBC Radio 2 Paul Jones show and favourable reviews in the Times, Folk Roots and Get Rhythm.

The latest album “The Big Casino” has just been released on Credo Records and covers a broad spectrum of emotions, from the melancholy acoustica of “The Devil and the Deep Blue”, a tribute to Jeff Buckley. to the raw rock protest of “Edgar Allen Poe”. There are echoes of Tom Waits and Elliot Smith in the murder ballad “Killing Time” and “Home” respectively. With some of James’ best lyrics to date, the sound is all the more impressive when recreated live by this biggest of little bands.

** NEW ** Click below for footage of Two Timers shot recently at the Club Riga in Essex performing the track "Edgar Allen Poe".

The marvellous Two Timers closed the afternoon's session with a short, brilliant set in which guitarist Gordon Russell confined himself to his trusty Martin acoustic, allowing singer, Sarah James's stunningly beautiful voice to shine through.

In full "electric" mode, on the main stage, the Two Timers were even better - boy, do they work hard! It's difficult to believe that two people can generate so much sound - never mind sound of such consistently high quality. Gordon plays driving electric and acoustic guitar, occasionally returning between songs to play very effective slide - while keeping up a relentless bass drum beat with his right foot, on his trademark battered suitcase. Sarah, meanwhile, sings her heart out, also playing harmonica and a huge array of percussion - even the spoons! The Two Timers are truly a phenomenon. They get better every time I see them. As a live act, I truly cannot recommend them highly enough.

Tim Aves, Blues in Britain, Vol 1, issue 13.

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